Myspace has done nothing to appeal to the social networking future and they don’t want to. Web 2.0 has every forward thinking social networking user waving that 2.0 flag and Myspace will only throw tear gas (it’s how ‘emo’ was born, srsly). Showing us hints of internet buzz words like “widgets” and “themes” stringing people along for the long advertising Myspace money ride. It won’t ever die. Why? A few obvious reasons:
- It was the first major social network to be born (aside from the history AOL had, but comeon is basically the same thing now).
- People fear change, new ideas, and will go along with the crowd. Just ’cause. It’s the truth.
- Big fish is big. With all the other social networking apps out there and the desire for each person online to share their personality with strangers, you’ll find your random people ask if you’re on Myspace. “Oh, you’re in a band? You guys got a myspace?” “Yes, but we also have a domain name.” “Wtf is a domain?”. Yah, it went down like that for me one time.
- Myspace has become a verb. Just like Google. When you say ‘Myspace’, they say ‘friend’.
- “You have 73,551 friends!” It makes you feel like you just won $73,000 at a card table doesn’t it? And guess what, you can trade those chips in for a record deal now if you want.
- It’s all about the user database.
When Myspace Attacks
Now I’m not an avid fan of Myspace. Not at all, obviously. But for bands, you either live or die by the Myspace blade of online popularity. Fine, okay, I can hang as long as it’s only for my band. After all, it was, at one time, a decent home for upcoming bands to get their foot out the door and into the laps of their growing fan base. Now, the only time I go online is to check out comments and messages that come in and delete spam.
So during one of my many trips down Myspace lane, today I log in into our band profile home page, and I get this fantastic piece of art:

Double checked on a PC. Although I’m sure sxytiffany can get to her mail just fine.
Allow me to digress.
Pay to Play
I remember growing up in L.A. and playing shows down on Sunset at the Whisky and the Roxy circa 1992-1998. It was an experience to play at these places and an event to make a small band feel like rock stars while impressing their friends and other random people that happened to be there as well. But if you wanted to play, you had to pay. How? By whoring yourself out to everyone you know.
What a fantastic revolving door Sunset Blvd. had created. It’s genius, really. You have to think about all the small sub-par bands that want to play a Friday night in 2 months at 8pm. You’re told you’re opening for 6 other bands and you will have to sell 100 tickets at $10 each. 100 people. Sure! You know 100 people! Sign the contract, get the tickets, $1,000 for the club per band. Thxbye!
The next time you want to play a show, you have to bug their friends again and again.. and again. Doesn’t matter how awesome your band is, your friends don’t want to pay $10 to get in, $10 per beer and $20 to park there over and over again. They’d rather crash your parent’s basement and do keg stands.
So by now, you and your band mates are locked into a pay-to-play contract and you might as well be thinking you’re buying a small piece of a car, or getting involved in some pyramid scheme, cause if the club doesn’t get $1,000 by the time you have to go on, you ain’t playin’. If you can’t cut it or don’t want to pay to play down on Sunset, another upcoming band will always be right behind you, willing to pick at your juicy time slot in line like a vulture on cocaine.
That business will never die. Why? Because it’s ‘Sunset Blvd’. It’s an 80s has-been quicksand commodity cesspool for upcoming musicians who try to ‘make it’. It’s a monopoly in an L.A. market, but it’s a starving monopoly, just like the record labels. And until the face of live music changes and the big venues accept their defeat to forward thinking small time bands and interactive media on the web for music, it will only continue to leach at their pocketbooks as the property and land value continues to increase until something breaks or they are forced to change.
The fact is, people are spending twice as much time online compared to when their television is turned on. Cheap forms of entertainment can be done over and over again, and people are doing them. With the economy in such bad shape and while gas at $4/gallon, do you really think an average person is going to sit through the traffic to get to the location, spend $10-15 to get into a show, $20 for gas, $20 to park, $50 for food/drinks every other weekend? F*ck no and f*ck L.A. for it.
It’s a war that musicians have to fight, just like with the record industry. It’s a tiny war, but it can be won online.
Myspace is the Sunset Blvd. of the online social networks. And it is the cheap and free form of being social ‘at the club’. It is the biggest and easiest platform for bands, artists, musicians, whatever you want to call them, to reach their audience… for FREE.
Wrong!
You guys haven’t been around long and are trying to get your foot in the door to an online market. Where do you start? Well you start a profile for your band and the watch the numbers grow like a chia pet on crack, right? You’ll be lucky if you get friend invitations from attention starved bands looking only for a number. We’re talking spam the equivalent of telemarketers. There is always advertising, but now you’re talking about some serious money.
So what exactly does it cost for you to advertise on Myspace? The band features you see when you log in are not randomly generated. In fact, before Fox bought out Myspace, we advertised on the home page for 3 days in 2004 for roughly $500.00. It drove about 90,000 people to our profile within those 3 days.
I can only imagine that it has since increased in cost by 2000%, leaving the back-end advertising trade deals behind closed doors for the new Myspace to get their product out to their database of unsuspecting users. I don’t even think they take solicited advertising anymore either.
Money always talks though.
Pay to be played, bitches.
So what can we learn from a pseudo-social-monopoly like this? In my opinion, there will be change when the straw smacks the back of camel upside the head, or until technology outdates their own backend and their database gets hacked by some 12 year old novice in Nova Scotia and sells it to a desperate Friendster. Until then, it will be the same crap from the same crap news organization in the same crap format. I give it 5 more years.
Yep. 5 more years of this:
